A R Colquhoun Case Study
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Click on the thumbnail for more information about the image, the book jacket, the book, and its publisher. Kate Colquhoun has written a biography of Joseph Paxton that has much of value for anyone interested in the history of gardening, the Great Exhibition ofVictorian architecture, nineteenth-century technologyand a life straight out of Samuel Smiles or Horatio Alger.
Paxton begins his working life as a laborer not yet even a gardener and ends as a titled architect, landscape designer, editor, investor, and of course designer of the building for the Great Exhibition of Paxton is usually described in histories of the Crystal Palace or discussions of iron in architecture as "the Duke of Devonshire's gardner," and in a sense he was, since that description literally holds true as far as it goes, but it doesn't go very far. Its truth is on the order of, say, describing Michelangelo as ceiling painter, or, turning to Paxton's own century, describing Disraeli as novelist, Arnold as school inspector, or Ruskin as someone who wrote a popular children's book.
True, but as Colquhoun enthusiastically demonstrates, very https://modernalternativemama.com/wp-content/custom/critical-thinking/arts-education-impact-on-academic-success.php. This handsome book, which Carl W. Scarbrough has beautifully designed, begins with what an editor I know A R Colquhoun Case Study a "grabber," in this case a narrative of the fiery destruction of the Crystal Palace inand it then proceeds more calmly but enthusiastically to place its subject in the context of early botanical study and the rise of gardening among the wealthy.
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As James Endersby has pointed out, "Botany was among the most popular of the nineteenth-century sciences. Men, women and children all joined in the frantic hunt for plants, and the hedgerows were full of people cataloguing mosses, identifying ferns and pressing flowers" " Victorian Botany: An Introduction ".
A R Colquhoun Case Study to Endersby, the great popularity of botany in the Victorian years arose from several factors, among them that it was easy to do, A R Colquhoun Case Study, healthy, pious, and, of course, genteel and ladylike. Before botany could achieve such popularity, however, what Colquhoun describes as a " Horticultural Revolution here fundamentally related to British exploration and colonization had to occur. Such explorers as Cook, colonists, and, finally, plant collecting expeditions enormously increased the variety of vegetation on English shores, so that, according to Colquhoun, "between and the number of plants in cultivation increased over fivefold to around five thousand" The apricot, tulip tree, magnolia, and Chinese and American lilies began to grow in English soil, and the rage for landscape gardens begun by Lancelot "Capability" Brown in the mid-eighteenth century continued with Humphry Repton's introduction of the romantic garden.
Collecting plants and creating environments in which they could flourish became an avocation of the very wealthy and a means by which to compete for prestige — much as buying large estates had always been and as owning the largest, most luxurious yacht or private jet has become in our own age. Paxton's Rise It may have been Paxton's good fortune to obtain work as a laborer in the Horticultural Society's gardens rather than, say, on a construction project, but only hard work and exceptional ability can account for his rapid rise to fame.
With the library at his disposal he set about a rigorous regime of self-education.]
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Read Now » Italy's original fascination with its cultural origins in Greece and Rome first created what is now known as 'the Classical tradition' - the pervasive influence of ancient art and thought on later times. In response to a growing interest in Classical reception, this volume provides a timely reappraisal of the Greek and Roman legacies in Italian literary history. There are fresh insights on the early study of Greek and Latin texts in post-classical Italy and reassessments of the significance attached to ancient authors and ideas in the Renaissance, as well as some innovative interpretations of canonical Italian authors, including Dante, Petrarch and Alberti, in the light of their ancient influences and models. The wide range of essays in this volume - all by leading specialists - should appeal to anyone with an interest in Italian literature or the Classical tradition. Italy's early fascination with its Hellenic and Roman origins created what is now called 'the classical tradition'. This book focuses on the role of the Greek and Latin languages and texts in Italian humanist thought and Renaissance poetry: how ancient languages were mastered and used, and how ancient texts were acquired and appropriated. Fresh perspectives on the influences of Aristotle, Plutarch and Virgil accompany innovative interpretations of canonical Italian authors - including Dante, Petrarch and Alberti - in the light of their classical models. Treatments of more specialized forms of writing, such as the cento and commentary, and some opening chapters on linguistic history also prompt reassessment of Renaissance perceptions of both Greece and Rome in relation to early modern Latin and vernacular culture. A R Colquhoun Case Study.A R Colquhoun Case Study - touching words
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