The Age Of Globalization Began In The
Curator, critic and artistic director at the Serpentine Galleries, London 2, words Read time: approx. Obrist organised his first art exhibition at the age of 23 from his kitchen. Ever since, he https://modernalternativemama.com/wp-content/custom/critical-thinking/why-god-can-exist-by-alvin-plantinga.php acted as a catalyst in creating bridges between different forms of art, movements and audiences. This conversation took place ahead of the Serpentine Galleries' 12th annual festival — the Guest, Ghost, Host: Machine!
So I would say that everything began with my first encounters with art back in Zurich and my trips to the other great museums in Switzerland.
I had this methodology in my art research — I went out to find mentors in different fields and spend time interviewing them and learning from their praxis. After trying my hand at it with artists, I started to do the same with architects and musicians during my teens before extending outwards into literature, philosophy and science. I was very fortunate, really, in that I would be able to just ring up Hans-Georg Gadamer — a German philosopher who was almost years old — and then record and publish the interviews.
So philosophy was perhaps always there, but found an outlet much later on.
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DM: Do you recall what your first philosophical epiphany was? Or rather the idea that captured your imagination. In terms of my thinking, a similar chain reaction got triggered in my life when I became concerned with the dilemma of whether it is possible to truly know anything and at the same time to prove it was possible since it had been a question that I had been grappling with since my childhood.
The thing with Glissant started a few years later when I was in my late twenties and living in Paris. I was introduced to him by my friend Agnes B, the French fashion designer, who had actually known him since the s when she herself was an adolescent.
An interview with Hans Ulrich Obrist.
And so what I wanted was to find a philosopher who could provide, on the one hand, a toolbox for enhancing global dialogue, and on read more other, a framework for resisting its more destructive elements. I think that at this present moment there is so much to remind us of the international debates swirling around cosmopolitanism at the beginning of the 20th century. We find ourselves not in the first stage of globalization but rather in the third or fourth wave. But this is certainly one of the most extreme and violent phases — I felt like this in the 90s and that has only increased ever since.
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I certainly believe that these homogenizing forces are leading to extinction through environmental degradation, the disappearance of cultural phenomena. Yet at the same time to refuse these forces is to risk returning to the dangerous forms of neolocalism and neonationalism that we see playing out right now.
These are all reactions to globalization which are themselves dangerous and lead to a lack of tolerance and inclusivity. He was born in Martinique in and that figures heavily in his philosophical ideas.
The islands of Martinique are surrounded by many other islands and Glissant shows us that his identity as a Martiniquais can only become richer through the exchange with these other islands. Rather than losing his unique identity through this creolization or hybridization with the other islands, he would have it enhanced by the experience.]
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2022-02-22
Yolkree
Bravo, very good idea
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