Setting Up A Sound Training Program For

Sometimes appended with the speaker's name in alternate case, followed by a colon. Styles of syntax that are used by various captioning producers: Capitals indicate main on-screen dialogue and the name of the speaker. Legacy EIA home caption decoder fonts had no descenders on lowercase letters. Outside North America, capitals with background coloration indicate a song title or sound effect description. Outside North America, capitals with black or no background coloration indicates when a word is stressed or emphasized. Descenders indicate background sound description and off-screen dialogue. Words in italics indicate when a word is stressed or emphasized and here real world names are quoted. Italics and bold type are only supported by EIA Some North American providers use this for narrated dialogue.

USE YOUR IMAGINATION.

Italics are also applied when a word is spoken in a foreign language. Text coloration indicates captioning credits and sponsorship. Used by music videos in the past, but generally has declined due to system incompatibilities.

Some Teletext countries use coloration to indicate when a word is stressed or emphasized. Coloration is limited to white, green, blue, cyan, red, yellow and magenta. UK order of use for text is white, green, cyan, yellow; and backgrounds is black, red, blue, magenta, white.

Making It Happen

US order of use for text is white, yellow, cyan, green; and backgrounds is black, blue, red, magenta, white. Square brackets or parentheses indicate a song title or sound effect description. Parentheses indicate speaker's vocal pitch e. Outside North America, parentheses indicate a silent on-screen action. A pair of eighth notes is used to bracket a line of lyrics to indicate singing. A pair of eighth notes on a line of no text are used during a section of instrumental music. Outside North America, a single number sign is used on a line of lyrics to indicate singing.

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An additional musical notation character is appended to the end of the last line of lyrics to indicate the song's end. Technical aspects[ edit ] There were many shortcomings in the original Line 21 specification from a typographic standpoint, since, for example, it lacked many of the characters required Setting Up A Sound Training Program For captioning in languages other than English. Since that time, the core Line 21 character set has been expanded to include quite a few more characters, handling most requirements for languages common in North and South America such as FrenchSpanishand Portuguesethough those extended characters are not required in all decoders and are thus unreliable in everyday use.

The problem has been almost eliminated with a market specific full set of Western European characters and a private adopted Norpak extension for South Korean and Japanese markets. The full EIA standard for digital television has worldwide character set support, but there has been little use of it due to EBU Teletext dominating DVB countries, which has its own extended character sets. Captions are often edited to make them easier to read and to reduce the amount of text displayed onscreen. This editing can be very minor, with only a few occasional unimportant missed lines, to severe, where virtually every line spoken by the actors is condensed.

The measure used to guide this editing is words per minute, commonly varying from to liberal education as livingstone, depending on the type of program. Offensive words are Setting Up A Sound Training Program For captioned, but if the program is censored for TV broadcast, the broadcaster might not have arranged for the captioning to be edited or censored also. The "TV Guardian", a television set-top boxis available to parents who wish to censor offensive language of programs—the video signal is fed into the box and if it detects an offensive word in the captioning, the audio signal is bleeped or muted for that period of time.

Caption channels[ edit ] A bug touting CC1 and CC3 captions on Telemundo The Line 21 data stream can consist of data from several data channels multiplexed together. As CC1 and CC2 share bandwidth, if there is a lot of data in CC1, there will be little room for CC2 data and is generally only used for the primary audio captions. Similarly, CC3 and CC4 share the second even field of line This led to bandwidth problems, and the U. Many Spanish television networks such as Univision and Telemundofor example, provides English subtitles for many of its Spanish programs in CC3.]

Setting Up A Sound Training Program For - assured, what

Remember, at the beginning of month 2, we added two extra m sprints, an additional mile to the long run, and a second medium-distance time trial. She handled it okay during week 5, but then we saw decreased performance. We could revert to the Month 1 programming and see if we resume the streak of personal bests. Alternatively, we could back off a portion of the Month 2 volume, going back to the Month 1 five-mile distance runs and three m sprints, but keeping the additional 1-mile time trial. We could even add in an additional rest day for a few weeks. How would we know which course to take? Setting Up A Sound Training Program For.