Dramatic Elements In The Masque Of The
Read Now » This edition of his "Poetical Works" contains all Shelley's ascertained poems and fragments of verse that have hitherto appeared in print.
In preparing the volume I have worked as far as possible on the principle of recognizing the editio princeps as the primary textual authority. I have not been content to reprint Mrs. Shelley's recension ofor that of any subsequent editor of the "Poems". The present text is the result of a fresh collation of the early editions; and in every material instance of departure from the wording of those originals the rejected reading has been subjoined in a footnote.
Again, wherever—as in the case of "Julian and Maddalo"—there has appeared to Dramatic Elements In The Masque Of The good reason for superseding the authority of the editio princeps, the fact is announced, and the substituted exemplar indicated, in the Prefatory Note. Thus I have not thought it necessary to cumber the footnotes with every minute grammatical correction introduced by Mrs. Shelley, apparently on her own authority, into the texts of ; nor has it come within the scheme of this edition to record every conjectural emendation adopted or proposed by Rossetti and others in recent times. But it is hoped that, up to and including the editions of at least, no important variation of the text has been overlooked.
Whenever a reading has been adopted on manuscript authority, a reference to the particular source has been added below.
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I have been chary of gratuitous interference with the punctuation of the manuscripts and early editions; in this direction, however, some revision was indispensable. Even in his most carefully finished "fair copy" Shelley under-punctuates Thus in the exquisite autograph "Hunt MS. Buxton Forman, the most conservative of editors, finds it necessary to supplement Shelley's punctuation in no fewer than ninety-four places.
In the very act of transcribing his mind was apt to stray from the work in hand to higher things; he would lose himself in contemplating those airy abstractions and lofty visions of which alone he greatly cared to sing, to the neglect and detriment of the merely external and formal element of his song.
Shelley recked little of the jots and tittles of literary craftsmanship; he committed many a small sin against the rules of grammar, and certainly paid but a halting attention to the nice distinctions of punctuation.
Thus in the early editions a comma occasionally plays the part of a semicolon; colons and semicolons seem to be employed interchangeably; a semicolon almost invariably appears where nowadays we should employ the dash; and, lastly, the dash itself becomes a point of all work, replacing indifferently commas, colons, semicolons or periods.]
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Analysing Dramatic Device in English LiteratureDramatic Elements In The Masque Of The - agree
These powers, elements and agents I have endowed with human attributes and human emotions as though it were Man himself who uttered himself through them. The actors in this cosmic masque or pageant of the planets are the Sun, the Moon and the Earth with her four Elements; for stage there is the limitless background of Time and Space, and the audience may be conceived as being represented by Immanent Nature. Creation and Dissolution are her ministers, twin forces of that divine everlasting Energy which brings to pass the cycles of the Eternal Recurrence. The action takes its course with a certain regard for the laws and revelations of Science, but this compliance is only such as poetry need observe. Despite the inherent and mystic majesty of Matter,--too commonly reviled! Whether the action begin with the impulse of Dissolution or with that of Creation does not in any way affect the essentials of the plan. The alternations of Life and Death, of Cosmic Night and Day, must inevitably follow and destroy each other, like the serpents in the ancient symbol. Dramatic Elements In The Masque Of The.COMMENTS0 comments (view all)
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