Anna Funder S Investigative Account Of The

Anna Funder s Investigative Account Of The

It clings to me, it goes with me everywhere. It's like a big family that you can't shake off All he knew was that his rebellious parents, Wolf and Anne, with their dyed hair, leather jackets and insistence he call them by their first names, were a bit embarrassing.

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That there were some places you couldn't play; certain things you didn't say. Now, married with two children and the Wall a distant memory, Maxim decides to find the answers to the questions he couldn't ask. Why did his parents, once passionately in love, grow apart? Why did his father become so angry, and his mother quit her career in journalism?

And why did his grandfather Gerhard, the Socialist war hero, turn into a stranger? The story he unearths is, like his country's past, one of hopes, lies, cruelties, betrayals but also love.

In Red Love he captures, with warmth and unflinching honesty, why so many dreamed the GDR would be a new world and why, in the end, it fell apart. In fine portraits of his family members Leo takes us through three generations of his family, showing how they adopt, reject and survive the fierce, uplifting and ultimately catastrophic ideologies of 20th-century Europe.

Stasiland Essay

We are taken on an intimate journey from the exhilaration and extreme courage of the French Resistance to the uncomfortable moral accommodations of passive resistance in the GDR. His personal memoir serves as an unofficial history of a country that no longer exists He is a wry and unheroic witness to the distorting impact - sometimes frightening, sometimes merely absurd - that ideology has upon the daily life of the individual: citizens only allowed to dance in couples, journalists unable to mention car tyres or washing machines for reasons of state. This very personal account allows us to better understand the reality of a kafkaesque regime, and the blindness of its elite that allowed it to survive for so long.

Maxim Leo has earned his place alongside them. Since he is Editor of the Berliner Zeitung. He won the Theodor Wolff Prize in He lives in Berlin.]

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The objective of the totalitarian governments in the two novels was to implement pain and hardship as a means of controlling the masses. Funder presents interviews of victims of the GDR to create a tangible account of the power held by the government. She further conveys What Is Stasiland? The difference in ideologies and ideas led to close calls to war between the west and east. The composers depict light and darkness both literally through various techniques and metaphorically through mutual themes. Anna Funder s Investigative Account Of The.

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I argue that in Stasiland, Funder deploys a range of literary strategies to make the past both comprehensible and memorable for her foreign readers, creating a community of memory across borders. Funder writes herself into the text as one of its characters, forming a bridge between now and then, here and there, outsider and insider. While its generic status is uncertain, it is clear from the opening pages that Funder conceptualizes her project as an act of memory; it is an attempt to remember a past that ended abruptly in and which many, she perceives, are eager to forget. In this way, the book makes a traumatic East German past available transnationally as prosthetic memory. This non-German market is clearly the one Funder intended for the book; when she places an advertisement seeking ex-Stasi men willing to talk about their experiences she emphasizes that it is to be an English-language publication Funder a: Byrnes and B. Rather than pretending that Germany could simply bury its immediate past, she opened to her informants a rare and precious space for truth and, in some cases, reconciliation. People spoke more frankly to her than they might have done to a German researcher, and also took care to clarify the back- ground of their lives. The break provided by temporal distance is here supplied by geographical distance.